BERLIN — How can a film about the Genocide be good? How can one shape the representation of such a crime against humanity into a work of art? And how can one do that without reducing the magnitude of the horror or sacrificing historical veracity? The Turkish-German filmmaker Fatih Akin has succeeded with his work, “The Cut,” now playing in movie theatres across Germany.
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Tags:"The Cut", Fatih Akin, Nazareth Manoogian, Ras al-Ayn, Diaspora Armenians