Architecture as Witness to Genocide

For almost a decade, a photographic exhibition on the “Nakba,” the expulsion of the Palestinians from their lands in 1947-48, has been travelling around Germany, and in virtually every site, the organizers from the Association of Refugee Children in Lebanon have run up against opposition. Pro-Zionist groups have mobilized to have the exhibition rooms — often in universities — cancelled, arguing that the exhibition is anti-Israel, or even anti-Semitic. The reason? According to official Israeli historiography, there were no expulsions, killings or seizure of Palestinian lands. Some say the Palestinians as a people never existed, or if they did, not in that geographical location.Read Further...

An Artist’s Journey Along The Trail of Tears

BOCHUM, Germany — Thousands of Armenian descendants of Genocide survivors, especially from the United States, have had the opportunity to travel though eastern Anatolia, in the search for the villages and towns their ancestors lost, many of them guided on pilgrimages organized by the indefatigable Armen Aroyan. In Germany over the past year large numbers of people have been able to make a similar trip, albeit vicariously, through the unique medium of art. Starting in 2015 in commemoration of the centenary of the genocide, Lisa Stybor, a German artist and art professor, launched a series of exhibits of works she composed during a six-week trek through those same lands. After having presented the show in Bochum in the context of Armenian cultural events, on February 5 she concluded an exhibit in Chemnitz, a city in the former Communist East Germany.
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